[Digital Drift 2014]
For the first of our Spider-Man podcasts we travel back to 2002 and the film that not only started it all for the wall-crawler on the big screen, but arguably brought the superhero blockbuster to true legitimacy.
Now this has long been considered a sacred cow, not quite as sacred as its sequel which you slight at your peril, but widely understood to be a superb superhero movie. Well here at Digital Drift we have a habit of holding the untouchable to higher account. We did it with Donner’s Superman, Burton’s Batman and very shortly we’ll be doing it with Singer’s X-Men. We’ve found while reviewing these that there is no perfect Spider-Man film yet, and just like Superman, maybe there never will be. What we can do, however is examine the flaws and celebrate the strengths of each of them (yes, even Spider-Man 3).
Spidey is a hero defined by the events in his life and the enemies he faces. This is the one with the origin of Spider-Man… OK it’s the one with the origin and the organic web-shooters. It’s also the one with Green Goblin… OK it’s the one with Norman Osborn… OK it’s the one with Willem Dafoe as Norman Osborn in more than just a delusional cameo. See our problem?
The real question is, in a post-Avengers world can a lone Marvel hero in his own little world offer us the same level of engaging, epic adventure? Spidey swings, J.J. shouts, Aunt May Worries, MJ pouts, Kroeger croons, MJ swoons, and all the while Tobey Maguire’s pallid, expressionless cow’s flank of a face occupies the screen. There’s no doubt about it, we’re gonna get emails.