[School of Movies 2018]
The year was 1996, just a few months ago Pixar had changed the face of cinema by introducing a whole new medium of 3D animated film, with Toy Story.
Disney followed up their lukewarm reception of Pocahontas with another middling-in-appreciation Broadway musical. The art is beautiful, the scale epic, the songs memorable.
The subject matter is a serious social commentary written by a man who fiercely disapproved of injustice, framed as a tragic, gothic romance, but in the all-singing, all-dancing Disney style, the jokes are witty banter mixed with fart noises made by a pig-like gargoyle (who may not have even been real) played by Jason Alexander from Seinfeld. The main villain is a judge, because executives weren't happy with him being a Catholic Priest, yet rogue animators deliberately confounded their demands and depicted him upon his knees, praying for forgiveness from Mary for the darkness inside him which he knew would imminently lead to murder, in one of the most spectacular song sequences in ANY movie. In short, it had a tone problem.
And with the help of Dan Floyd and Nama Chibitty, we dig into how this was pulled together and what the end result was. It's one hell of a ride.
We have covered all the Disney animated classics canon so far from Snow White up to The Lion King and they can be found of the "School of Movies Archive" which is a separate feed on iTunes or wherever else you find podcasts. Here's all the Disney ones.
Daniel Floyd of Extra Histories